Year of Music 2026
This year I am exploring music with a differnt album every week. Some albums are anchors in my life and others vaguely familar, and yet many are completely new to me. My goal is to deepen my appreicatation for music.
So for 2026, every Thursday I'll start a new album. Take the journey with me.
| # | Album | Artist | Primary Genre | Why This Album Is On the List |
|---|---|---|---|---|
| 1 | Ten | Pearl Jam | Rock | Anchor week. Establishes your baseline and frames the 90s alt sound you’re intentionally moving beyond. |
| 2 | Who’s Next | The Who | Rock | A direct ancestor to arena rock and modern alternative dynamics; power, restraint, and synthesis. |
| 3 | Master of Puppets | Metallica | Metal | Anchor revisit. A structural masterclass in tension, pacing, and thematic cohesion. |
| 4 | Paranoid | Black Sabbath | Metal | The blueprint. Understanding this reframes everything from Metallica to grunge heaviness. |
| 5 | Passion and Warfare | Steve Vai | Instrumental Rock | Anchor. Technical virtuosity with emotional intent — not just speed for its own sake. |
| 6 | Bitches Brew | Miles Davis | Jazz Fusion | A controlled disruption. Shows how experimentation can still be disciplined and influential. |
| 7 | Legend | Bob Marley & The Wailers | Reggae | Anchor. A reminder that simplicity and message can carry enormous cultural weight. |
| 8 | Exodus | Bob Marley & The Wailers | Reggae | Goes deeper than Legend — political, spiritual, and structurally influential worldwide. |
| 9 | Goldfly | Guster | Alternative Rock | Comfort reset. Songwriting and restraint over bombast; useful contrast point. |
| 10 | Aja | Steely Dan | Jazz Rock | Production perfection. Forces careful listening even when played quietly. |
| 11 | Physical Graffiti | Led Zeppelin | Rock | A double album done right. Shows range, discipline, and risk without indulgence. |
| 12 | Kind of Blue | Miles Davis | Jazz | Literacy cornerstone. Teaches space, phrasing, and emotional economy. |
| 13 | Moving Pictures | Rush | Progressive Rock | Bridges virtuosity and accessibility. Influential for both musicians and engineers. |
| 14 | Remain in Light | Talking Heads | Art Rock | Rhythmic and conceptual expansion without chaos; a thinking-man’s challenge album. |
| 15 | Back in Black | AC/DC | Rock | Minimalism as strength. A lesson in what not to add. |
| 16 | The Dark Side of the Moon | Pink Floyd | Progressive Rock | Systems thinking in album form — sequencing, themes, sonic architecture. |
| 17 | In Absentia | Porcupine Tree | Progressive Rock | Motion-driven modern prog; bridges Floyd, metal texture, and emotional pacing. |
| 18 | The Yes Album | Yes | Progressive Rock | Foundational prog language: movement, harmony, and ambition without indulgence. |
| 19 | Surfing with the Alien | Joe Satriani | Instrumental Rock | A Vai-adjacent comfort album; melody-forward virtuosity that reshaped guitar culture. |
| 20 | Red | King Crimson | Progressive Rock | Structural heaviness with motion; proto-metal without Sabbath’s static feel. |
| 21 | Yield | Pearl Jam | Rock | Later Pearl Jam maturity; restraint, cohesion, and emotional economy. |
| 22 | Court and Spark | Joni Mitchell | Folk Rock / Jazz Pop | Literacy expansion: sophisticated songwriting and harmonic intelligence. |
| 23 | Rust in Peace | Megadeth | Metal | Technical metal with propulsion; shows another evolutionary branch from Sabbath. |
| 24 | Blue Train | John Coltrane | Jazz | Momentum jazz — purposeful movement instead of abstraction. |
| 25 | Disintegration | The Cure | Alternative Rock | Emotional architecture; a counterpoint to 90s alt without grunge tropes. |
| 26 | Songs in the Key of Life | Stevie Wonder | Soul / Pop | One of the clearest examples of joy, craft, and cultural impact aligned. |
| 27 | Automatic for the People | R.E.M. | Rock | Emotional motion without aggression; restraint as strength. |
| 28 | Low | David Bowie | Art Rock | Wild card #1: structural experimentation that still respects listenability. |
| 29 | Rage Against the Machine | Rage Against the Machine | Rock | Rhythm-driven heaviness; motion replaces metal gravity. |
| 30 | The Royal Scam | Steely Dan | Jazz Rock | Cynical, precise, and musically dense — excellent for focused work. |
| 31 | Temple of the Dog | Temple of the Dog | Rock | Grunge context without excess; emotional clarity over distortion. |
| 32 | Music from Big Pink | The Band | Roots Rock | Literacy pivot: shows how restraint and story reshaped rock songwriting. |
| 33 | Boston | Boston | Rock | Engineering discipline disguised as arena rock; production literacy. |
| 34 | Electric Ladyland | Jimi Hendrix | Rock | Sonic exploration with feel; motion, texture, and innovation aligned. |
| 35 | 2112 | Rush | Progressive Rock | Conceptual momentum; systems-thinking album before that term existed. |
| 36 | Close to the Edge | Yes | Progressive Rock | The prog apex — earned, structured, and relentlessly forward-moving. |
| 37 | Brothers in Arms | Dire Straits | Rock | Clarity, tone, and narrative phrasing; excellent coding companion. |
| 38 | A Love Supreme | John Coltrane | Jazz | Wild card #2: spiritual motion rather than technical display. |
| 39 | The Joshua Tree | U2 | Rock | Cultural impact plus atmosphere; landscape as sound. |
| 40 | Thick as a Brick | Jethro Tull | Progressive Rock | Conceptual playfulness with structure; prog without self-importance. |
| 41 | Appetite for Destruction | Guns N’ Roses | Rock | Raw motion and danger; contrasts with Sabbath’s static weight. |
| 42 | Mingus Ah Um | Charles Mingus | Jazz | Composition-first jazz; structure over chaos. |
| 43 | Badmotorfinger | Soundgarden | Rock | Grunge with odd meters and muscle; literacy upgrade from Pearl Jam. |
| 44 | Graceland | Paul Simon | Folk Rock / World | Wild card #3: global influence handled with respect and structure. |
| 45 | Hemispheres | Rush | Progressive Rock | Mature Rush — balance of intellect and propulsion. |
| 46 | The Rise and Fall of Ziggy Stardust | David Bowie | Rock | Myth, narrative, and accessibility unified. |
| 47 | OK Computer | Radiohead | Alternative Rock | Systems anxiety meets structure; late-90s done right. |
| 48 | Animals | Pink Floyd | Progressive Rock | Cynicism with cohesion; heavier than DSOTM without indulgence. |
| 49 | The Colour and the Shape | Foo Fighters | Rock | Post-grunge motion; craftsmanship over angst. |
| 50 | Time Out | The Dave Brubeck Quartet | Jazz | Rhythm literacy; odd meters that still swing. |
| 51 | Jar of Flies | Alice in Chains | Acoustic Rock | Dark but restrained; emotional weight without explicit excess. |
| 52 | Wish You Were Here | Pink Floyd | Progressive Rock | Year-end reflection: absence, connection, and sonic patience. |